| From Gauguin to Gormley |
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CR 209, Sep/Oct 2004 |
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Author : Edward Lucie-Smith
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The Tate exhibition, A Secret History of Clay
Edward Lucie-Smith considers issues both addressed and overlooked in this important exhibition of ceramic work by artists from Picasso to Goldsworthy, Braque to Koons. Lucie-Smith suggests that curators have overlooked the Super Realist movement of the 70s by omitting artist such as Richard Shaw and Marilyn Levine, and their 16th century counterpart Bernard Palissy. Spontaneity, folk art and Pop art also come under discussion.
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