| A Still-life Transposed |
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CR 214, Jul/Aug 2005 |
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Author : Matthew Partington
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Peter Simpson’s sculpture captures the essence of drawings, says Matthew Partington
In this two-page feature, Matthew Partington appraises the new sculptural work of Peter Simpson, Un Tavolo per Giorgio, which aims to capture the essence of Giorgio Morandi’s etchings in three dimensions. The work marks an exciting re-engagement with clay for Simpson, an acclaimed sculptor since the 1970s, whom since the 1990s has been working with collage and multimedia. This is a thoughtful evolution.
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