| Clay Power |
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CR 223, Jan/Feb 2007 |
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Two exhibitions catch the eye of Emmanuel Cooper
In this two-page review feature, Emmanuel Cooper casts an eye over two current exhibitions that take clay as their starting point. At the Royal Academy sculptures by Auguste Rodin fill the ground floor, and at Tate Britain, Rebecca Warren, a contender for the 2006 Turner Prize, exhibits figures in unfired clay.
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| All prices include p&p. Overseas orders are sent by airmail.
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CR 261
