| The Sacred and the Profane |
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CR 239, Sep/Oct 2009 |
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Amanda Game is intrigued by the diverse influences in Philip Eglin's new work
Philip Eglin is fascinated by such things as ancient wood carvings, which, while being rooted in a particular time and place, take on universal symbolism in evoking the power and depth of human emotions. In this six-page feature, Amanda Game explores Eglin's new body of 'religious' work, which is to be showcased at the Scottish Gallery, Edinburgh.
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| No. of Pages |
No. of Images |
Technical Notes |
Sequence |
Availability |
| 6 |
12 |
Yes
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No
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In stock |
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