| Maybe It's Maybelline |
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CR 241, Jan/Feb 2010 |
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Natasha Mayo observes the childlike properties of Claire Loder's portrait heads
In this two-page feature, Natasha Mayo reveals how Loder's portrait heads push the boundaries of representation to expose more than mere visual likeness. There is simplicity to Loder's work, a naïve quality that allows her to make comment on our relationship with the world around us as if through innocent eyes.
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| No. of Pages |
No. of Images |
Technical Notes |
Sequence |
Availability |
| 2 |
5 |
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| All prices include p&p. Overseas orders are sent by airmail.
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CR 261
