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2003 Issues
Jan/Feb 2003
Aug/Sep 2003
Mar/Apr 2003
Sep/Oct 2003
May/Jun 2003
Nov/Dec 2003
CR 202  Aug/Sep 2003
Highlights:
Pattern and colour are central to the work of Susan Nemeth. A full making sequence shows how she composes a ceramic collage and then gently coaxes it into a vessel form. The high fired, unglazed porcelain gives a strong, pure colour with a soft, matt feel.
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Europe   £8.30  
Overseas price   £9.30  
 

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List of Contents
Strand Article Title Author
PotterMade to Measure
A look at the carefully constructed soda glazed and wood-fired tablewares of Petra Reynolds
Jeremy Steward
PotterHead Lines
The ideas and methods of figurative sculptor Tony Bennett
Pat Bennett
ReputationsPart of the Language
Carlin Gallery Contemporary Craft, Paris
Jane Perryman
PotterGilda Westermann
Interview plus sequence, throwing a tall porcelain bottle
Hannah Wingrave
PotterDon't Shoot. It's a Teapot!
Tradition and invention work together in unpredicatable ways
Steve Harrison
HeritageTale of the Fishley Plate
An unusual journey unravelled
Elizabeth Jones
Vivian Jones
PotterLayer upon Layer
Susan Nemeth's sequence reveals her approach to inlaid colour and pattern
Susan Nemeth
ReportFrankfurt 2003
CR visits the world's largest trade fair for consumer goods
Kristian Venalainen
Marcus Holmes
PotterThe Myth of Control
Australian potter Sandy Lockwood makes of softly textured tablewares
Edmund de Waal
GlazeAsh Glaze Research
In-depth analysis for ash glaze enthusiasts
Carol Metcalfe
PerspectiveBackwards and Forwards
Learning to throw backwards
Ruthanne Tudball
TechnicalLight and Shade
Frederick Payne combines glass fibre with porcelain
Sophie White
ReviewPhilomena Pretsell
New work reviewed
James Beighton
A Potter's DaySteph Black
Steph Black
RevelationsAnn Linnemann
Danish potter and museum director
 
PreviewDemark on Tour
Group show in the USA
Lori Kent