Ceramic Review Magazine

Highlights:
Problems, Opportunities: Douglas Fitch makes traditional wood-fired slipware at Hollyford Pottery, a former cattle barn, remotely situated in unspoilt Mid Devon. In this four-page feature, Fitch explains how English medieval pottery and the heritage of simple, lead-glazed earthenware have inspired him for many years.

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List of Contents

Strand	Article Title	Author
Preview	Crafting Beauty The British Museum presents ‘Crafting Beauty in Modern Japan’
Potter	Industry, Design and Studio Ceramics Working collaboratively with industry
Potter	Problems, Opportunities Doug Fitch discusses his traditional wood-fired slipware
Focus	Creative Collaborations Robert James Turner discovers that industry and ceramists have become firm friends	Robert James Turner
International	The Best China Working in the porcelain city of Jingdezhen
Potter	Caressing Light Translucent porcelain vessels
Potter	Fire[ing] Clay Allison Weightman raises awareness by shooting her work
Student/Profile	Moving Forward Jo Davies anticipates the future after graduating from the Royal College of Art
Heritage	Cameroon Craft Carol Ventura is impressed by the skill of the Bamoun potters of Foumban
Education	‘A Potter who can Teach’ Gary Cornford reports on a first class ceramics department
Glaze	Field Bean and Pea Ash Eric James Mellon produces ash glazes from arable crop waste
Technical	Extruding Sense Ray Auker builds a powered clay extruder
Groundings	Applying Glaze Mike Bailey offers a guide to applying glaze
A Potter's Day	A Potter’s Wheel Linda Bloomfield talks about her pre-occupation with throwing
Off Centre	Opinion Emmanuel Cooper suggests that craft requires more written critique

CR 244

Jul/Aug 2010