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2008 Issues
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Nov/Dec 2008
CR 229  Jan/Feb 2008
Highlights:
High Tension: Craft Rocks was a Friday Late event at the Victoria and Albert Museum, London, that provided an opportunity to show current ceramics practice. Keith Harrison, one of the exhibitors, explains how firing two site-specific time-based ceramic installations in a museum posed many challenges and opportunities.
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List of Contents
Strand Article Title Author
PreviewPoet of Residue
Neil Brownsword at Galerie Besson, London
 
PotterCool, Calm and Confident
Harriet Smith admires Andrea Walsh’s shimmering vessels
Harriet Smith
CollaborationsJoining Forces
Dartington and Grayshott potteries
Simon Olding
InstallationCeramics and Installation
Emma Shaw gives an insight into the world of installation art
Emma Shaw
InstallationOff the Ground
Julian Belmonte ventures outside of the commercial gallery and into the garden
 
InstallationHigh Tension
Keith Harrison reports on his ambitious installations at the V&A, London
 
InstallationOn the Cusp
Claire Twomey gives an insight to her practice
 
PotterBig Ware
Tony Hall makes gigantic terracotta pots at his pottery in Herefordshire
 
Student/SurveySetting Out
New graduate work to be exhibited by the CPA
 
InternationalCeramica Brasileira
Jane Reynolds traces Valeria Nascimento’s artistic journey from architect to potter
Jane Reynolds
Opening DoorsTurning the Tide
Shirley Uytenhaak reveals her experience as a mature student studying ceramics
 
EducationLearning and Sharing
Matt Sherratt reports on working with children and their male carers
 
KilnsKiln Care
Geoff Kenward gives a personal response to caring and maintaining electric kilns
 
GlazeSimple Glaze Tests
Mike Bailey outlines various methods of devising glazes
 
A Potter's DayA Potter's Life is Terribly Hard
Jean Cairns reports on the ups and downs of being a potter
 
Off CentreWood-fired Aesthetics
Adam Welch questions the assumptions that inform wood-fired aesthetics