2013
2007
2001
1995
1989
1983
1977
1971
2012
2006
2000
1994
1988
1982
1976
1970
2011
2005
1999
1993
1987
1981
1975
 
2010
2004
1998
1992
1986
1980
1974
 
2009
2003
1997
1991
1985
1979
1973
 
2008
2002
1996
1990
1984
1978
1972
 
2008 Issues
Jan/Feb 2008
Jul/Aug 2008
Mar/Apr 2008
Sep/Oct 2008
May/Jun 2008
Nov/Dec 2008
CR 234  Nov/Dec 2008
Highlights:
On the Table: At a time when making tableware by hand has to compete against imaginatively designed and often competitively priced factory ceramics, it is good to know that there continues to be a buoyant market for work that carries the individual style of the maker. In this four-page feature, Linda Bloomfield profiles four of these highly distinctive tableware potters.
Availability   Magazine in stock
UK price   £7.50  
Europe   £8.30  
Overseas price   £9.30  
 

Special Offers: not applicable.

All prices include p&p. Overseas orders are sent by airmail.
List of Contents
Strand Article Title Author
PreviewDiverse Practices
'Diverse Practices' at Barrett Marsden Gallery, London
 
Review FeatureCalifornia Clay
Elaine Levin finds subtle associations between the work of two artists
Elaine Levin
TravelClay Alchemy
Janet Mansfield savours a potter's tour of Thailand
Janet Mansfield
Student/SurveyCeramics at Art School 2008
This year's UK graduates are rounded up for Ceramic Review's annual survey
 
EducationFuture Ceramists
A Northern school that is leading the way in ceramics education
Adam Ross
FocusPyramids of Makkum
Modern interpretations of traditional seventeenth century flower pyramids
 
PotterStill Learning
Margaret Crump meets Graham Newing, a potter still learning after fifty years
Margaret Crump
TravelOut of Africa
Ardmore Ceramic Studio, South Africa, combines African and western traditions
 
TravelGolden Bridge Pottery
Andrew Richards discovers a potter's paradise in India
Andrew Richards
GroundingsLocal Clays and Wood Ashes Part 2
Mike Bailey explains how to use raw materials
Mike Bailey
Mould MakingPlaster of Paris
Oelof Heckroodt offers an in-depth guide to using Plaster of Paris
Oelof Heckroodt
A Potter's DayA Potter's Impression
Ursula Morley Price reveals how her first encounter with the work of Hans Coper inspired her to work with clay
Ursula Morley Price
Off CentreOff-Centre
Christopher J Willoughby continues the potter/ceramic artist debate
Christopher J Willoughby