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2009 Issues
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CR 238  Jul/Aug 2009
Highlights:
Rainbow of Light: The work of Chun Liao could be seen to be the ceramic equivalent of the colour field painters of the United States; her use of rich hues on gently tapering cylinders results in a jewel-like intensity redolent with passion and feeling. In this six-page feature, Emmanuel Cooper discovers how assembled together these forms create narratives, with one form introducing and relating to the other.
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List of Contents
Strand Article Title Author
PreviewGroup Practice
'Vanguard Court Studios' at the Scottish Gallery
 
PotterDreams & Visions
Natasha Mayo explores the narrative aspects in Linda Kieft's figures
Natasha Mayo
InternationalPerformance Pieces
US potter Jack Troy extols the pleasure of making and using pitchers
Jack Troy
InternationalElemental Pots
Giles Sutherland profiles the life and work of late Danish potter Gutte Eriksen
Giles Sutherland
InternationalLiving History
Simon Martin visits Shozo Michikawa - the highlight of his recent trip to Japan
Simon Martin
InternationalParadox in Form
Vivian Goldstein gives her interpretation of Tony Moore's sculptural work
Vivian Goldstein
PotterStudio Wagon
Gillian Turner enjoys the strong contrasts in the work and life of Nici Ruggiero
Gillian Turner
TechnicalLeaf Resist Techniques
Gordon Cooke captures the quality of leaves in surface decoration
 
KilnsGreat Results from Electric Kilns
John Hesselberth advises on firing methods
 
GroundingsGlazing with Glass
Mike Bailey investigates the use of glass as a decorative medium
 
A Potter's DayA Potter's Coast
Teena Gould discusses her new body of work titled 'Coastal Ceramics', which was inspired by a two hundred mile walk along the Welsh coastal paths of Ceredigion, Pembrokeshire and Carmarthen.
 
Off CentreOff-Centre
Inspired by the exhibition 'The Unexpected' at the Stedelijk Museum, 'S-hertogenbosch, The Netherlands, Emma Shaw argues that ceramics are finding a new place in the art world.