Fifty years of change and diversity in the Craft Potters Association
Edited by Emmanuel Cooper


This fully illustrated book accompanies the touring exhibition ‘The Pot, the Vessel, the Object’ and tells the story of the Craft Potters Association (CPA). Since its inception fifty years ago, the CPA has fostered a spirit of community and co-operation, in which potters and ceramists have sought to cultivate and encourage an art form they believe to be truly expressive. It has looked for shared values balanced with an acceptance that ceramics, like any other art medium, has many voices and can take many forms.

The exhibition ‘The Pot, the Vessel, the Object’ marks fifty years of showing, promoting and nurturing studio ceramics and is a perfect opportunity to reflect on the past, present and future. This book confirms the importance of the CPA, and offers a fascinating visual record of the organisation’s development through the decades.




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Janet Leach – A Potter’s Life
By Emmanuel Cooper


Ceramic Review Publishing is delighted to announce publication of a monograph on the life and work of the distinguished potter Janet Leach (1919-1997), issued to coincide with the first retrospective of her work at Tate St Ives.
The work of Janet Leach – one of the key potters of the twentieth century – brings together a diverse range of influences ranging from early American pottery, traditional Japanese and Korean pots and studio ceramics. Born in the United States she married Bernard Leach in 1956 and lived and worked in St Ives until her death in 1997.
Emmanuel Cooper traces the development of her ideas from the early, more formal pots to the later, freely thrown bottles, many of which bear the marks and scarring of the wood fire. With some 200 images, the book confirms Janet Leach’s status as a gifted and original potter.




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An A-Z Guide to 300 Ceramic Artists
Edited by Emmanuel Cooper


The Ceramics Book is a key reference guide to 300 ceramic artists and potters living and working in Britain today, many of whose showrooms and potteries are open to the public. In this illustrated pocket-sized A-Z directory, each potter is represented by a full-colour image of typical work, accompanied by an artist’s statement, portrait of the artist and their signature potter’s mark. All are Fellows and Members of the Craft Potters Association.

The 300 quality illustrations cover functional/domestic ware, sculptural and decorative works and fine art ceramics. This is an excellent aid to buying ceramics direct from makers. Contact details and artists’ portfolio websites are included next to the images and in a handy directory, aided by maps showing the locations of potteries and studios that are open to the public.

The Ceramics Book replaces Potters (12th edition), the directory of Members of the Craft Potters Association, which has been published every few years since 1972.




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Practical ideas for potters from readers of `Ceramic Review´
Second Edition
Edited by Emmanuel Cooper


This useful compendium is an invaluable guide for practising potters, containing money-saving tips and how-to advice on using everyday objects as tools of the trade in a potter’s workshop. Tips written by potters include how to use a pair of tights to sieve clay, and how to create throwing ribs out of old beer cans. Potters’ Tips is both an entertaining read, and a testament to the resourcefulness of Ceramic Review magazine’s readers. Potters’ Tips contains nearly some 600 pieces of advice, all previously printed in Ceramic Review, catalogued into sections including clay, throwing and turning, finishing and handbuilding, decoration, glazing, firing, tools, equipment and materials. Extensive cross-referencing index included. This spiral-bound volume with how-to drawings is a useful addition to any potter’s workshop. Alternatively it can be read as a collection of ideas which reveals the way potters work and think about their craft.


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The life and work of Lucie Rie 1902-1995.
Edited by Emmanuel Cooper.

Lucie Rie (1902-1995) has had a profound influence on the direction of modern ceramics. This fully illustrated, eighty-page book edited by Emmanuel Cooper, brings together new essays and revised texts - some of which appeared in early issues of Ceramic Review magazine - from potters, collectors and friends who admired and were influenced by her life and work.

Cyril Frankel gives a biographical account of her life and background; Edmund de Waal sheds new light on the artistic context within which she trained and worked in Austria, while Alison Britton considers the breadth of Rie's work and the personal rewards that many continue to draw from her legacy. Students and those who worked with Lucie Rie give personal accounts. Previously unpublished making sequences and reproductions of studio notebooks, provide valuable insights into her working practice.


Collectors, potters, students and enthusiasts will find this book good to look at and an invaluable guide to Rie's life and work.

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The Ceramic Review book of clay bodies and glaze recipes.
Edited by Emmanuel Cooper.
Third Edition


Completely revised and updated, 'Clays and Glazes' includes over 900 recipes from established potters. For the first time colour sections complement the chapters that list recipes by temperature range. Detailed technical advice concerning the preparation, application and firing of clays, slips and glazes guides potters through the many choices of colour, texture and temperature. Health and safety is addressed with general advice and, where appropriate, specific notes from individuals.

With over 300 pages of tried and tested recipes, 'Clays and Glazes' is a favourite among potters. Chapters range from raku, earthenware, and mid-temperature to stoneware and porcelain, salt and vapour glazing. A new section covers special effects and each includes details for clay bodies, slips and glazes. For the first time a new cross-reference system allows readers to find further details of potters' work in relevant issues of Ceramic Review magazine.

'Clays and Glazes' is an excellent source of reference and inspiration for potters, from beginners to professionals.

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Compiled by Robert and Sheila Fournier.


First published in 1994, this was the first comprehensive listing of studio ceramics in public and private collections. Fully cross-indexed, the work of individual potters in different collections of studio pottery are also identified. This guide reveals the wealth of studio ceramics that lies, often concealed, in museums and art galleries within the UK and serves as a useful reference for the collector, historian, student and enthusiast.

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A guide to ceramics galleries and selected museum collections.


This colourful map will help you to explore the over 210 galleries in the UK and Ireland. Comprehensive listings provide contact details and opening times.

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Our binders will keep your copies of the magazine in excellent condition. Plain black with Ceramic Review's logo neatly embossed on to the spine, each binder will hold up to 8 issues.
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