Ceramic Review > Magazine > Ceramic Review Issue 191

Ceramic Review Issue 191

Sep / Oct 2001

Contents...

preview:

A Sense of Place

- Julian Stair

Issues surrounding a new body of work

potter:

Measure for Measure

- Tony Franks

Sarah-Jane Selwood's new constructed vessels

perspective:

The Nature of the Beast

- Tanya Harrod

An overview of the Jerwood Prize

reputations:

Quiet Revolution

- Emmanuel Cooper

Wedgwood, the industrial giant, looks forward

potter:

Positive Image

- Kevin Petrie

Step by step water-based transfer printing

profile:

Waterscapes

- Katy Bevan

The inspiration behind Annie Turner's haunting sculptures

education:

The Future of Skill

- Martin Lungley

Continuing the debate on the teaching of core skills

living tradition:

Voodoo Pottery

- Keith Nicklin

West African ceramic sculpture

focus:

Fireworks

- Jo Dahn

The working relationship of a Cardiff-based collective

potter:

Potter's Progress

- Alex Hunter

Amateur to professional in one year

workshop/kiln:

The Kiln as Architecture

- David Herrold

The kiln as aesthetic and practical creation

surface:

Super-refined Terra Sigillata

- Vince Pitelka

The finer details to achieve perfection

technical:

Clay Update

- Ray Silverman

Mixing clay bodies for texture

technical:

High tech news from Japan

- Stuart Griffin

Industrial developments in Japan

a potter's day:

Linda Christianson

Wood-fired pots in Minnesota USA

revelations:

Philip Eglin

- Philip Eglin

Jerwood prize-winning potter from 1995

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