Ceramic Review Issue 262

The new work of Richard Phethean is contextualised by Andy Horn

The sublime provides the catalyst for Tanya Gomez's vessels, writes Kimberley Chandler

Yvette Bretenbach discovers the wood-fired work of Ben Richardson at a restaurant in Tasmania

Friend, colleague and gallerist Deborah de Beer profiles the work of John Higgins

Richard Heeley and his wife Lucy Heeley created H&H to showcase both British ingredients and craftsmanship

Ian Wilson explores Jo Taylor's sinuous thrown forms

Gareth Mason shares a very personal take on the experience of throwing

Gareth Mason puts theory into practice with his step-by-step guide to throwing

Richard Phethean talks us through slip painting on an oval teapot

Virginia Scotchie throws sculptural forms on the wheel using parts and pieces. Here, she shows us how

Ever wondered about the characteristics of clay particles? Oelof Heckroodt explains why clay acts the way it does

Adam Sutherland shares his experience of working alongside artist Laure Prouvost to realise her Turner Prize-nominated project

Andrew Dawood draws a parallel between ceramics and dentistry