Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.
November/December 2024
March / April 2017
We visit ceramic artist Rebecca Appleby at her Leeds studio to explore the industrial inspirations behind her abstract sculpture
Members of the Associated Clay Workers Union have led a project to create new ceramic works using clay unearthed during London Bridge station's redevelopment
Ceramic artist Eddie Curtis explains the evolution of his personal style, inspired by Blast Beach in his native County Durham
Our new 'Figure in the landscape' series continues with curator and manager of the Craft Potters Association gallery, Marta Donaghey
We explore the little-known story of Mary Watts, the woman behind the Arts & Crafts pottery at The Watts Gallery
Frances McDonald uncovers the influence of art and architecture behind Isobel Egan's intricate ceramic sculpture
A forthcoming exhibition at Tate St Ives looks at the changing shape of the ceramics studio over the last one hundred years
Ahead of Ceramic Art London, we spotlight ten makers at varying stages of their careers who are all exhibiting at CAL for the first time: Jim Malone, Annette Welch, Rachel Wood, Sue Mundy, Kazuya Ishida, Ross de Wayne Campbell, Matt Horne, Ben Arnup, Katharina Klug, Emily Stubbs
Alex McErlain explores ceramic artist Matt Sherratt's curvaceous sculptures and contemplative making processes
Sarah Scampton explains step-by-step how she creates her finely marked and tactile forms through multiple firings
Chinese clay artist Eugene Chung was spotted by CR at Central Saint Martins' undergraduate show; Eugene discusses his journey so far
On the eye-opening survey of ceramic sculptures and drawings by American artist Ken Price at Hauser & Wirth, London
On a show of new work by Micki Schloessingk, part of the touring exhibition The Language of Clay: Part One
2016's highlights from the twice-yearly Studio Ceramics and Modern Design Sale at Adam Partridge Auctioneers are revealed by auctioneer Jason Wood
We focus on the painterly tableware of Carol Wainwright, which marries durability with a distinctively playful personality