Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.
November/December 2024
July / August 2017
We visit Kyra Cane in her studio to hear about the relationship between the landscape, drawing and her ceramics
Reflecting on ceramic artist Claire Curneen's work, influences and her recent award-winning porcelain sculptural assemblage, Tending the Fires
Ahead of a new exhibition showcasing the best of Irish ceramics, we look back at Ceramics Ireland's history and achievements over the last 40 years
Exploring Lord and Lady Attenborough's collection of Picasso's ceramics ahead of an exhibition at the Centre of Ceramic Art, York
Catherine Roche investigates artist Anne Gibbs' mixed media processes and her fascination with visual ambiguity
We interview Moira Vincentelli, who has spent her career championing ceramics, women's rights and arts education
We look forward to the International Ceramics Festival in Aberystwyth this summer and celebrate its 30-year history
From a life of finance and funerals to a blossoming career as a potter: we uncover Pip Wilcox's journey
Horse-obsessed ceramic artist Gareth Nash explains the historical significance of clay horses to various cultures
Colin Martin reviews an exhibition of playful and political printed plates from the 19th century
Michael Jeffery of Woolley & Wallis profiles Burmantofts Faience Pottery ahead of a notable auction of art pottery
Kate Malone discusses a single piece with an important relationship to her own work: a small vase by Axel Salto
André Hess previews a forthcoming show by Italian ceramist Paola Paronetto at London's Contemporary Ceramics Centre
We discover Emma Johnson's slip-cast tableware, inspired by the sharp lines and functionality of Brutalism
Potter Marshall Colman offers his step-by-step guide to making and decorating a tin-glazed earthenware jug
Starting our new series on clays and glazes, Walter Keeler reveals the recipes behind his salt-glaze pots
We focus on sculptural vessels by Paul Philp that display his midernist and geological influences