Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.
November/December 2024
March/April 2022
Our round-up of key stories from the world of ceramics
Stephen Dixon creates ceramics that tell the stories of poignant social and political events. Andre Hess discovers the motivations behind his work
CR’s pick of the crop of current ceramic exhibitions
Colin Martin visits the valedictory exhibition at the V&A surveying six decades of making by the studio potter Richard Batterham
Jo Davies shares the making processes behind her wheel-thrown tea set
Ellen Bell tells us more about Judy McKenzie, who has developed a range of Nerikomi pieces with a free-form, abstract effect
Visits to the V&A’s ceramic and decorative arts rooms to see its collection of tea caddies influenced Emily-Kriste Wilcox’s approach to her work
Corinne Julius investigates a new exhibition at Two Temple Place in London that aims to re-present Ladi Kwali and the work of black women in contemporary ceramics to a new audience
Luke Eastop is a third-generation ceramicist who creates elegant forms in neutral tones. He tells Annie Le Santo the story behind them
Stephen Murfitt shares his passion for raku and the techniques that feature in his latest book Contemporary Raku
Laura Plant tells us about her latest work inspired by the heritage of Stoke-on-Trent, Wedgwood and taking part in the British Ceramics Biennial
David Binns takes us step-by-step through the processes he uses to make and glaze one of his distinctive carved vessel forms
Rosalie Dodds shares the base recipe she uses to create the surface textures on her thrown stoneware
Anne Dressen, curator of The Flames: The Age of Ceramics chooses a stoneware medallion that pays homage to women in history