Ceramic Review Issue 328

Our round-up of key stories from the world of ceramics

Beth Williamson caught up with Julian Stair to learn more about his practice and the interests that have led him to make his distinctive pots

CR’s pick of the crop of current ceramic exhibitions

Irena Sibrijns tells us about the influence visiting David Miller at his studio in France has had on her practice

Andre Hess visits Instagram’s @a_cambridge_home to find out more about the owners and the ceramics that form part of their daily lives

Cormac Lehnen explores A Fine Line: Modern Makers at Pitzhanger Manor where the convergence of contemporary ceramics and glass illuminate Sir John Soane’s legacy

The handbuilt ceramics of Gabriele Koch have changed significantly since she rose to prominence in the 1980s. Ashley Thorpe finds out why

Janet Abrams participated in Haystack’s first workshop on 3D clay printing and glimpsed the huge potential of digital ceramics

Julian King-Salter has been making hand-coiled pots since he was a child. He tells us more about the making process behind one of his latest creations

Ceramic artist SaeRi Seo discusses how her fragmented porcelain pieces unearthed a means of catharsis

Patia Davis takes us through the processes and techniques she use to wheel throw and slip decorate one of her screw-threaded jars

Peter Sparrey tells us about his passion for glazes and shares two of his raku-fired recipes

Alex Walker and Ben Murrey, from the Allen Gallery in Hampshire, have chosen a courseware jug made by Katherine Pleydell-Bouverie