Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.
November/December 2024
Akiko Hirai’s explosive pots have won her worldwide acclaim. Emma Crichton-Miller delves into her background and practice
Jean-Nicolas Gérard's expressive slipware celebrates daily rituals and the spontaneity of handmade forms. Natalie Baerselman le Gros finds out more about his approach to aesthetic and function.
Natalie Baerselman le Gros discovers the influences and techniques behind Lotte Westphael’s porcelain cylinders
Henry Willett's Collection of Popular Pottery at the V&A represents a ceramic snapshot of popular Victorian culture. Jane Audas discovers more
A new exhibition by Magdalene Odundo is taking place at Houghton Hall. Beth Williamson explores the context of the ceramic artist’s work in this historic setting
Rachel Grimshaw sculpts ceramic forms that defy the nature of the material. Natalie Baerselman le Gros finds out more
Elena Howard discusses the creative fusion of ceramics and artificial intelligence
Nicholas Lees has spent decades refining research-led processes to create dynamic and innovative sculptures. Annie Le Santo spoke to him to find out more
Danish ceramic artist Bodil Manz is recognised for her light-enhancing, paper-thin cylinders. Now in her 80th year, Natalie Baerselman le Gros honours her career
Lise Herud Braten’s organic way of working has resulted in dramatic sculptural forms. She talks to Jane Audas about her journey from cloth to clay
Ceramic pines made by artisans in Mexico have become a passion for the interior design duo behind Objekti. Jane Audas discovers more
Sally MacDonell is captivated by the power of human connections. She tells Annie Le Santo how it has inspired her three decades of creating ceramics