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Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.

Ceramic Review Issue 339

May/June 2026

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21 Apr

Taking a breath

Natalie Baerselman le Gros uncovers the therapeutic foundations of Sharon Griffin’s figurative sculptures inspired by nature, mythology and an exploration of identity

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11 Mar

Women in ceramics

Isabella Smith celebrates the contributions of women to the ceramic world

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24 Feb

Fragile language

Annie Le Santo discusses the heritage of blue and white porcelain with Lin Wang and how she reflects this Eastern tradition with her contemporary Western aesthetic

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9 Dec

Craft as persuasion

The act of making is crucial to Alicja Patanowska, alongside a need to raise awareness of global challenges, reveals Corinne Julius

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13 Oct

Cracked earth

A background in environmental causes and their impact on the earth has influenced Liza Riddle’s work. Lauren Kearns tells us more

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12 Aug

Language of flowers

Vanessa Hogge creates porcelain sculptures adorned with intricate floral and botanical details. Annie Le Santo spoke to her to find out more about her creative process and journey

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17 Jun

The exploding teacup

Toni De Jesus takes traditional forms and decoration and disrupts them into vivid, expressive pieces. Andre Hess uncovers the background to his ethos

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15 Apr

Future relics

Uriel Caspi’s large-scale sculptures transcend static form, embracing movement, time and the dialogue between past and future. Annie Le Santo finds out more

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18 Feb

Piped dreams

Ebony Russell’s unique way of making ceramics has won her international acclaim discovers Corinne Julius

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2 Dec

Mathematics in porcelain

Mark Goudy’s wave-like creations are made by combining 3D modelling with traditional techniques. Lauren Kearns uncovers the background to these complex forms

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8 Oct

Philosophy of imperfection

Akiko Hirai’s explosive pots have won her worldwide acclaim. Emma Crichton-Miller delves into her background and practice

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13 Aug

Vive la terre vernissée

Jean-Nicolas Gérard's expressive slipware celebrates daily rituals and the spontaneity of handmade forms. Natalie Baerselman le Gros finds out more about his approach to aesthetic and function.

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