Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.
November/December 2024
Akiko Hirai’s explosive pots have won her worldwide acclaim. Emma Crichton-Miller delves into her background and practice
Ruth King writes a tribute to the late Karen Bunting, former chair of the CPA
Jean-Nicolas Gérard's expressive slipware celebrates daily rituals and the spontaneity of handmade forms. Natalie Baerselman le Gros finds out more about his approach to aesthetic and function.
Natalie Baerselman le Gros discovers the influences and techniques behind Lotte Westphael’s porcelain cylinders
Rachel Grimshaw sculpts ceramic forms that defy the nature of the material. Natalie Baerselman le Gros finds out more
Nicholas Lees has spent decades refining research-led processes to create dynamic and innovative sculptures. Annie Le Santo spoke to him to find out more
Danish ceramic artist Bodil Manz is recognised for her light-enhancing, paper-thin cylinders. Now in her 80th year, Natalie Baerselman le Gros honours her career
Lise Herud Braten’s organic way of working has resulted in dramatic sculptural forms. She talks to Jane Audas about her journey from cloth to clay
Ceramic pines made by artisans in Mexico have become a passion for the interior design duo behind Objekti. Jane Audas discovers more
A strong connection to the landscape of where she grew up in Poland and a fascination with the figurative form has shaped Aneta Regel’s abstract sculptures. Andre Hess tells us more
John Ward is regarded as one of Britain’s most influential potters, yet very little has been written about his 50-year career – until now. Emma Crichton-Miller tells us more
Sara Flynn makes porcelain sculptural vessels with refined surfaces. She speaks to Annie Le Santo about honouring authenticity within her practice